Introducing my 2012 paper cut botanical paper cut! This calendar is an homage to all the beautiful flora I saw while backpacking through Southeast Asia this past year. When I got home, I translated my best photographs into graphic paper cuts for each month. The back of each calendar is a postcard, so they each serve a dual purpose.
The chipboard packaging doubles a stand for the calendar (see below). You just have to put the tabs through the outer slits to create a shelf for the print. This feature of the calendar is very important to me because I have been using plastic cases in the past that were cheaply made. This solution is completely compostable/recyclable.
The back of each print doubles as a postcard. So once the month is over you can send a quick note to a friend.
The process of screen printing lets the ink sit above of the paper, giving the finished product a richer tactile feel.
One of my goals for the new year, is work on more projects that excite me, like this invite. I love getting custom work. It fun to be a part of someone's special day. Anyhoo, I wanted to share some of the details of this invite I did earlier this summer. The wedding invitation needed to communicate environment of the wedding. The huge tree on the main invite sets the tone for the suite, and little natural details come up in other places. For instance, the very subtle tree rings on the save the date. Also, the natural woven texture of the slate envelope and the rsvp add a lot to the overall feel of the invites. I incorporated the wedding colors of coral and sophisticated grays with ink and paper selection. These little details really make a huge difference in an announcement. I'm very happy with the way it all came together. The invite was screen printed at The Pull Press, locally in Portland.
